National Museum of American Art

Origins and Development

The history of the Smithsonian American Art Museum collection dates to the beginning of the Smithsonian Institution when, in 1846, the act establishing the Smithsonian authorized the Board of Regents to collect objects of art. Called the Gallery of Art, the collection included prints and drawings collected by George P. Marsh and North American Indian portraits and paintings by John Mix Stanley and Charles B. King. Portions of the collection were transferred from the National Institute, housed in the US Patent Office Building, in 1858 and 1862. In 1865, a fire in the Smithsonian Institution Building destroyed a sizable portion of the collection. The surviving prints and drawings were loaned temporarily to the Library of Congress, while the paintings and sculptures were sent to the Corcoran Gallery of Art. These deposits were recalled in 1895. In 1879, the George C. Catlin collection of American Indian paintings was acquired.

In 1904, President Theodore Roosevelt recommended to the US Congress that the art collection contemplated in the act creating the Smithsonian be established as a national gallery of art and that the Institution be authorized to accept additions to the collection. Congress failed to take action on the recommendation. In 1906, the Gallery of Art achieved official status when the Supreme Court of the District of Columbia, interpreting the Smithsonian's organic act, defined the Gallery of Art to be, in fact, the National Gallery of Art. The Harriet Lane Johnston collection, donated to the Smithsonian in 1906, and the William T. Evans collection, donated in 1907, formed the nucleus for the new gallery, located in the original US National Museum building (now the Arts and Industries Building). In 1910, the gallery opened the first exhibits in new US National Museum building.

The National Gallery of Art was administered by the US National Museum from 1907 until 1920, when Congress granted the gallery enough funds to become a separate Smithsonian bureau. William Henry Holmes, Chief of the Bureau of American Ethnology, 1902-1909, and Head Curator of the Department of Anthropology, 1910-1920, held the position of Curator of the National Gallery of Art, 1907-1920. When the gallery became a separate bureau in 1920, Holmes resigned his position with the National Museum and became the first director of the gallery. In 1937, the National Gallery of Art had its name changed to the National Collection of Fine Arts (NCFA), when the old name was assigned to the collection donated by Andrew W. Mellon to the United States. In 1980, NCFA was renamed the National Museum of American Art, and in 2000 it was renamed the Smithsonian American Art Museum. More than seven thousand artists are represented in the collection, including major masters, such as John Singleton Copley, Gilbert Stuart, Winslow Homer, John Singer Sargent, Childe Hassam, Mary Cassatt, Georgia O'Keeffe, Edward Hopper, Jacob Lawrence, Helen Frankenthaler, Christo, David Hockney, Jenny Holzer, Lee Friedlander, Nam June Paik, Martin Puryear, and Robert Rauschenberg.